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Roland Emmerich
Emmerich in 2016
Born (1955-11-10) 10 November 1955 (age 69)
Stuttgart, West Germany
Citizenship
  • Germany
  • United States
Alma materUniversity of Television and Film Munich
Occupations
  • Film director
  • producer
  • screenwriter
Years active1979–present
Spouse
Omar De Soto
​
(m. 2017)​
Signature

Roland Emmerich (German: [ˈʁoːlant ˈɛməʁɪç] ⓘ; born 10 November 1955) is a German film director, screenwriter, and producer. He is widely known for his science fiction and disaster films and has been called a "master of disaster" within the industry.[1] His films, most of which are English-language Hollywood productions, have made more than $3 billion worldwide, including just over $1 billion in the United States, making him the 17th-highest-grossing Hollywood director of all time.[2][3]

He began his work in the film industry by directing the film The Noah's Ark Principle (1984) as part of his university thesis and also co-founded Centropolis Entertainment in 1985 with his sister. He has also directed the films Universal Soldier (1992), Stargate (1994), Independence Day (1996) and its sequel Independence Day: Resurgence (2016), Godzilla (1998), The Patriot (2000), The Day After Tomorrow (2004), 10,000 BC (2008), 2012 (2009), White House Down (2013), Midway (2019), and Moonfall (2022).

Early life and career

[edit]

Emmerich was born in Stuttgart, West Germany, and grew up in the nearby town of Sindelfingen.[4] As a youth, he traveled extensively throughout Europe and North America on vacations financed by his father, Hans, the wealthy founder of a garden machinery production company.[5] In 1977, he began attending University of Television and Film Munich with the intention of studying to become a production designer.[5][6] After watching Star Wars, he instead decided to enroll in the school's film director program.[5][7] Required to create a short film as his final thesis in 1981, he wrote and directed the full-length feature The Noah's Ark Principle, which was screened as the opening film of the 34th Berlin International Film Festival in 1984.[6]

In 1985, he founded Centropolis Film Productions (now Centropolis Entertainment) in partnership with his sister, producer Ute Emmerich, and directed his major film debut, a fantasy feature named Joey.[5] He subsequently directed the 1987 comedy Hollywood-Monster and the 1990 science-fiction film Moon 44. Theatrically, these were only released in and nearby his native country, although Emmerich filmed them in English and went against conventional German styles in an attempt to appeal to a larger market.[5][8] This subsequently resulted in Moon 44 being released direct-to-video in the U.S. in early 1991. Joey and Hollywood-Monster eventually also saw home video releases in the U.S. (as Making Contact and Ghost Chase, respectively) once Emmerich achieved more prominence in America.

Hollywood director

[edit]

1990s

[edit]

Producer Mario Kassar invited Emmerich to come to the United States to direct a futuristic action film entitled Isobar.[9] Dean Devlin, who appeared in Moon 44, soon joined Emmerich as his writing and producing partner, and served in this capacity until 2000.[8] Emmerich subsequently refused the offer to direct after producers rejected Devlin's re-write of the script, and the Isobar project was eventually scrapped.[9] Instead, Emmerich was hired to replace director Andrew Davis for the action movie Universal Soldier. The film was released in 1992.

Emmerich next helmed the 1994 science-fiction film Stargate. At the time, it set a record for the highest-grossing opening weekend for a film released in the month of October.[10] It became more commercially successful than most film industry insiders had anticipated,[8][11] and spawned a highly popular media franchise.

Emmerich then directed Independence Day, an alien invasion feature, released in 1996, that became the first film to gross $100 million in less than a week[12][13] and went on to become one of the most financially successful films of all time,[14] at one point having been the second-highest-grossing film in terms of worldwide box office.[15] Emmerich and Devlin then created the television series The Visitor, which aired on the Fox Network during 1997–1998 before being cancelled after one season.

His next film, Godzilla, opened in 1998. An extensive advertising and marketing campaign generated significant hype during the months leading up to the film's release. The film was a box office success but was met with negative reviews from critics and fans. It garnered a Saturn Award for Best Special Effects, a BMI Film Music Award, and the Audience Award for Best Director at the European Film Awards while also receiving a Razzie Award for Worst Remake or Sequel. It has only a 16% rating on Rotten Tomatoes.[16] Emmerich said that prior to getting involved with Godzilla he and Devlin had planned a disaster movie centered around an asteroid fall, which wound up cancelled after Armageddon went for a similar idea.[1]

2000s

[edit]

Taking a short break from science-fiction, Emmerich next directed the American Revolutionary War epic The Patriot (2000). One of only five films (Universal Soldier, Anonymous, White House Down, and Midway being the others) Emmerich has directed in which he did not contribute to the screenplay, the film received a generally favorable critical and commercial response,[17] and is Emmerich's best-reviewed film to date.[18][19] After teaming up with new screenwriting partner Harald Kloser, Emmerich returned once again to directing a visual effects-laden adventure with 2004's blockbuster The Day After Tomorrow, another disaster film about a rapidly oncoming ice age brought upon by the effects of global warming. Soon afterward, he founded Reelmachine, another film production company based in Germany.

In 2008, Emmerich directed 10,000 BC, a film about the journeys of a prehistoric tribe of mammoth hunters. It was a box office hit, but consistently regarded by professional critics as his worst film, as well as one of the worst films of the year.[20] He was slated to direct a remake of the 1966 science-fiction film Fantastic Voyage,[21] but he eventually left project, due to clashing with its producer James Cameron.[22] In 2009, Emmerich directed 2012,[23] an apocalyptic disaster film based on the conspiracy theory that the ancient Mayans prophesied the world's ending on 21 December 2012.[24] Despite mixed reviews, the film went on to be his second-highest-grossing film to date (after Independence Day) and received praise from audiences. Emmerich usually finishes production of a large-scale movie both in a time frame shorter and on a budget lower than what is typically requested by other directors.[6][8]

2010s

[edit]
Roland Emmerich at the German Film Awards in 2012 in Berlin, Germany.
Emmerich in 2012

Emmerich's next film, Anonymous, released on 28 October 2011, is based on the premise that Edward de Vere, 17th Earl of Oxford is the real author of the plays and sonnets of William Shakespeare.[25] According to Emmerich, "It's an historical thriller because it's about who will succeed Queen Elizabeth and the struggle of the people who want to have a hand in it. It's the Tudors on one side and the Cecils on the other, and in between [the two] is the Queen. Through that story we tell how the plays written by the Earl of Oxford ended up labelled 'William Shakespeare.'"[26] The film's box-office failures signaled a decline of Emmerich's career.

In 2011, Sony Pictures had purchased a pitch for Emmerich's project Singularity, a sci-fi epic about a man composed of nanomachines. Originally planned for a 2013 release, the project has since gone into development hell.[27]

Emmerich directed the action-thriller film White House Down, which involved a terrorist attack on the White House by a paramilitary group. The spec script was written by James Vanderbilt and was purchased by Sony Pictures for $3 million in March 2012. The Hollywood Reporter called it "one of the biggest spec sales in quite a while". The journal said the script was similar "tonally and thematically" to the films Die Hard, Air Force One and Olympus Has Fallen (2013). Emmerich began filming in July 2012 at the La Cité Du Cinéma in Montreal, Quebec, Canada. The film was released on 28 June 2013 in the United States.

Whenever asked about making a personal project, Emmerich thought it would be "a gay film", and after friends during production of Anonymous asked if he could make a film on the Stonewall riots, Emmerich got interested in the idea.[28] Stonewall was released in 2015.[29] He followed it with a sequel to his most successful film in Independence Day: Resurgence, released twenty years after the original Independence Day on 24 June 2016.[30]

In November 2019, Emmerich directed the film Midway based on the battle of Midway during the Pacific Theater of World War II.

2020s

[edit]

In 2020, it was announced that Emmerich's next film project would be entitled Moonfall, released in 2022 by Lionsgate. The project is a space disaster film about a mysterious force knocking the moon from its orbit around Earth, sending it on a collision course with the planet. In response, a ragtag team launches a last-ditch mission to land on the lunar surface and save Earth from annihilation.[31][32] with the production budget standing at $150 million.[33]

Future projects

[edit]

Following the release of Moonfall, Emmerich said he has been working on a TV series based on T. E. Lawrence for around a decade, and stated he has three projects he would like to make, a mistaken identity period piece set in 1919 about a young writer having to take control of a film set, another about a conquistador, and a third about the death of Marilyn Monroe.[1]

In June 2023, Emmerich announced a franchise titled Space Nation which will consist of a MMORPG, a TV series, animated shorts and spinoff games.[34]

Personal life and advocacy

[edit]

Emmerich owns homes in Los Angeles, New York City, London and Stuttgart.[5][35][36][37][38] He likes to decorate his homes in a self-described "outlandish" manner,[38] adorning them with rare Hollywood memorabilia, murals and portraits of dictators and Communist figures, and World War II militaria.[5][37]

Emmerich is gay and is a LGBT rights activist. He is married to Omar De Soto.[39] He has stated that he witnessed overt racism when producers and studio executives were opposed to allowing him to cast Will Smith for the lead in Independence Day, and reluctant to allow him to portray an interracial couple in The Day After Tomorrow.[40] He has also stated that he has encountered homophobia from the same groups, and is vocal in his opposition to such behavior.[40] He has stated that sometimes he does "[not like working in] the movie business", describing it as a sometimes "very cold, brutal business", but his motivation to keep directing is that he genuinely "like[s] making movies".[5]

In 2006, he pledged $150,000 to the Legacy Project, a campaign dedicated to gay and lesbian film preservation. Emmerich made the donation on behalf of Outfest, making it the largest gift in the festival's history.[41] In 2007, on behalf of the LGBT community, he held a fundraiser at his Los Angeles home for Democratic Party presidential candidate Hillary Clinton.[37]

In 2011, he became a U.S. citizen while keeping his German citizenship. He stated he did so because he "wanted to have a vote in the next US elections" and that he waited because he "didn’t want to become an American under Bush."[42]

He is a collector of art.[43] Emmerich's extensive collection of artwork includes a painting of Jesus Christ wearing a Katharine Hamnett-styled T-shirt during his crucifixion,[38] prints of Alison Jackson's works of a Princess Diana lookalike making obscene gestures and engaging in sex acts,[36][44] a wax sculpture of Pope John Paul II laughing as he reads his own obituary,[36][44] and a Photoshopped image of Iranian president Mahmoud Ahmadinejad in a homoerotic pose.[38] Emmerich, a financial supporter of U.S. progressive politics,[45] states that the decorations and pieces are not declarations of any beliefs,[38] but rather reflections of his "predilection for art with a political edge".[44]

Emmerich is in favor of the campaign for stunt performers to receive recognition at the Academy Awards, and has worked to raise awareness over the issue of global warming.[46][47] He once was a chain-smoker who was known to smoke as many as four packs of cigarettes a day,[48] Emmerich has often included in his films characters who are trying to quit smoking or warn against the dangers of tobacco use. Along with several other celebrities, he is a producer of The 1 Second Film, a non-profit project intended to raise money for women's rights in the developing world.[49]

Filmography

[edit]

In addition to film, Emmerich also co-created and produced the short-lived television series The Visitor, and, in 2001, directed a one-minute commercial titled "Infinite Possibilities" for DaimlerChrysler.[50]

Film

[edit]
Year Title Director Writer Producer
1979 Franzmann Yes Yes No
Wilde Witwe (Short film) Yes No No
1984 The Noah's Ark Principle Yes Yes Co-producer
1985 Joey Yes Yes Co-producer
1987 Hollywood-Monster Yes Yes Yes
1990 Moon 44 Yes Story Yes
1992 Universal Soldier Yes No No
1994 Stargate Yes Yes No
1996 Independence Day Yes Yes Executive
1998 Godzilla Yes Yes Executive
2000 The Patriot Yes No Executive
2004 The Day After Tomorrow Yes Yes Yes
2008 10,000 BC Yes Yes Yes
2009 2012 Yes Yes Executive
2011 Anonymous Yes No Yes
2013 White House Down Yes No Yes
2015 Stonewall Yes No Yes
2016 Independence Day: Resurgence Yes Yes Yes
2019 Midway Yes No Yes
2022 Moonfall Yes Yes Yes

Executive producer

Producer

Unrealized

[edit]

Television

[edit]
Year(s) Title Director Executive
Producer 		Writer Notes
1980 Altosax No No Yes TV movie
1997–1998 The Visitor No Yes Yes
1998–2000 Godzilla: The Series No Yes No
2012 Dark Horse Yes Yes Yes TV movie
2024 Those About to Die Yes Yes No TV series[51]

Critical reception

[edit]

Reviewers often criticize Emmerich's films for relying heavily on visual effects and suffering from clichéd dialogue, flimsy and formulaic narratives, numerous scientific and historical inaccuracies, illogical plot developments, and lack of character depth.[52][53][54] Emmerich contends that he is not discouraged by such criticism and that he aims to provide enjoyable "popcorn" entertainment to movie-going audiences.[46] Stating that he is "a filmmaker, not a scientist", he creates his own fiction based on actual science or history to make the messages he sends "more exciting".[55]

In response to accusations of insensitivity for including scenes of New York City being destroyed in The Day After Tomorrow, less than three years after the September 11 attacks, Emmerich said that it was necessary to depict the event as a means to showcase the increased unity people now have when facing a disaster, because of the attacks.[35][46][55] When accused of resorting too often to scenes of cities being subjected to epic disasters, Emmerich says that it is a justified way of increasing awareness about both global warming, and the lack of a government preparation plan for a global doomsday scenario in the cases of The Day After Tomorrow and 2012, respectively.[55][56]

Acknowledging what he characterized as flaws with Godzilla, Emmerich admitted he regretted having agreed to direct it. He stated that his lack of interest in the previous Godzilla movies, the short time he promised it would take for him to complete the film, and the studio's refusal to screen it for test audiences were all factors that may have negatively affected the quality of the final product,[35] and cited the former reason as to why he turned down an offer to direct Spider-Man, as he was not interested in comic books or superhero-related fiction.[35] However, Emmerich still defends Godzilla, noting that the film was highly profitable[35] and claiming that, of all his movies, people tell him Godzilla is the one they and their kids watch the most repeatedly.[55]

Emmerich has also faced criticism from the LGBT community. His film Stonewall was criticized for being whitewashed and diminishing the contributions of transgender women of color to starting the Stonewall riots,[57] and for being sex-negative.[58] In response to these claims, Emmerich has said the Stonewall riots were "a white event".[59] The film received generally negative reviews from critics.[60]

Similarly, Emmerich touted his 2016 film Independence Day: Resurgence as having a gay couple,[61] but when the film was released, Johnny Gayzmonic of Unicorn Booty criticized the film because the couple in question was two trivial characters lacking in believable chemistry who were utilized solely for comic relief, one of whom was needlessly killed off in a way that was not vital to the plot (the other having been depicted as strictly heterosexual in tie-in material to the first film), the characters only being revealed to have been a gay couple during the aforementioned death scene (with references to their relationship being cut from the Chinese version of the film), a fate that Gayzmonic observed befell many gay couples in film.[62]

Year Film Rotten Tomatoes[63] Metacritic[64]
Overall
1992 Universal Soldier 33% 35/100
1994 Stargate 53% 42/100
1996 Independence Day 67% 59/100
1998 Godzilla 15% 32/100
2000 The Patriot 62% 63/100
2004 The Day After Tomorrow 45% 47/100
2008 10,000 BC 9% 34/100
2009 2012 39% 49/100
2011 Anonymous 45% 50/100
2013 White House Down 52% 52/100
2015 Stonewall 9% 30/100
2016 Independence Day: Resurgence 29% 32/100
2019 Midway 41% 47/100
2022 Moonfall 43% 36/100

Awards and nominations

[edit]
Year[a] Nominated work Category Result
Golden Raspberry Awards
1997 Independence Day Worst Written Film Grossing Over $100 Million Nominated
1999 Godzilla Worst Prequel, Remake, Rip-off or Sequel Won
Worst Director Nominated
Worst Picture Nominated
Worst Screenplay Nominated
2017 Independence Day: Resurgence Worst Prequel, Remake, Rip-off or Sequel Nominated
Worst Director Nominated
Worst Picture Nominated
Worst Screenplay Nominated
Hugo Awards
1997 Independence Day Best Dramatic Presentation Nominated
Kids' Choice Award
1997 Independence Day Favorite Movie Won
Jupiter Award
1997 Independence Day Best International Director Won
Best International Film Won
2005 The Day After Tomorrow Best International Film Won
MTV Movie Awards
1997 Independence Day Best Movie Nominated
People's Choice Awards
1997 Independence Day Favorite Dramatic Motion Picture Won
Saturn Awards
1997 Independence Day Best Director Won
1999 Godzilla Best Director Nominated
Best Fantasy Film Nominated
2005 The Day After Tomorrow Best Science Fiction Film Nominated
2010 2012 Best Action or Adventure Film Nominated
2017 Independence Day: Resurgence Best Science Fiction Film Nominated
Scream Awards
2010 2012 Best Director Nominated
Universe Reader's Choice Award
1996 Independence Day Best Director Won

Notes

[edit]
  1. ^ Year in which awards ceremony was held

References

[edit]
  1. ^ a b c "Roland Emmerich, Master of Disaster, Returns to Big-Screen Cataclysms With 'Moonfall'". The Hollywood Reporter. 27 January 2022. Retrieved 30 January 2022.
  2. ^ "Roland Emmerich". Box Office Mojo. Archived from the original on 11 April 2016. Retrieved 6 February 2017.
  3. ^ "Roland Emmerich". The Numbers. Archived from the original on 11 April 2016. Retrieved 6 February 2017.
  4. ^ Rebecca Ascher-Walsh (22 August 1995). "Space Under Fire". Entertainment Weekly. Archived from the original on 16 August 2011. Retrieved 8 July 2008.
  5. ^ a b c d e f g h Hilary Whiteman (7 March 2008). "Roland Emmerich, the accidental director". CNN. Archived from the original on 6 March 2009. Retrieved 16 March 2009.
  6. ^ a b c Hilary Whiteman (10 March 2008). "Roland Emmerich: Making it big". CNN. Archived from the original on 6 March 2009. Retrieved 16 March 2009.
  7. ^ The Force Is With Them: The Legacy of Star Wars Star Wars Original Trilogy DVD Box Set: Bonus Materials, [2004]
  8. ^ a b c d Richard Corliss (8 July 1996). "The Invasion Has Begun". TIME. Archived from the original on 15 August 2009. Retrieved 8 July 2023.
  9. ^ a b Patrick Lee, Maria Virobik (21 July 2006). "Devlin's Isobar Moves Forward". Sci Fi Wire. Archived from the original on 3 September 2007. Retrieved 8 July 2008.
  10. ^ "Top Opening Weekends by Month". Box Office Mojo. Archived from the original on 5 June 2011. Retrieved 16 March 2009.
  11. ^ Rebecca Ascher-Walsh (28 July 1995). "Space Under Fire". Entertainment Weekly. Archived from the original on 9 July 2008. Retrieved 8 July 2008.
  12. ^ A.J. Jacobs (19 July 1996). "The Day After". Entertainment Weekly. Archived from the original on 17 October 2013. Retrieved 8 July 2008.
  13. ^ Film History of the 1990s Archived 7 January 2017 at the Wayback Machine filmsite.org. Retrieved on 8 July 2008.
  14. ^ "Independence Day." Archived 23 September 2016 at the Wayback Machine Box Office Mojo. Retrieved on 8 July 2008.
  15. ^ "William Fay Bio." Archived 18 February 2012 at the Wayback Machine www.10000bcmovie.com. Retrieved on 4 March 2008.
  16. ^ "Godzilla (1998)". Rotten Tomatoes. Archived from the original on 16 January 2007. Retrieved 7 June 2012.
  17. ^ "The Patriot". Metacritic. Retrieved 16 March 2009.
  18. ^ "Roland Emmerich (search results)". Metacritic. Retrieved 16 March 2009.
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  20. ^ "Tomato Picker 2008 films with <10% "fresh" ratings". Rotten Tomatoes. Retrieved 16 March 2009.
  21. ^ Fleming, Michael (15 August 2007). "Emmerich to captain 'Voyage'". Variety. Archived from the original on 14 October 2007. Retrieved 15 August 2007.
  22. ^ Gajewski, Ryan (26 July 2024). "Roland Emmerich Calls James Cameron "Very Overbearing", Explains Why He Exited 'Fantastic Voyage'". The Hollywood Reporter. Retrieved 3 August 2024.
  23. ^ Fleming, Michael (21 February 2008). "Sony buys Emmerich's '2012'". Variety. Archived from the original on 29 September 2008. Retrieved 21 February 2008.
  24. ^ Pawlowski, Agnes (27 January 2009). "Apocalypse in 2012? Date spawns theories, film". CNN. CNN. Archived from the original on 1 February 2009. Retrieved 5 February 2009.
  25. ^ "October 9, 2009 – Anonymous / Roland Emmerich talks about his next project – Corona Coming Attractions". www.coronacomingattractions.com. Archived from the original on 25 November 2010. Retrieved 23 November 2009.
  26. ^ de Semlyen, Phil (25 February 2010). "Roland Emmerich's Next Is 'Anonymous' About Shakespeare". Empire Online. Bauer Consumer Media. Archived from the original on 14 August 2011. Retrieved 12 May 2010.
  27. ^ What Happened to 'Singularity,' the Roland Emmerich Blockbuster That Never Was?
  28. ^ "Director Roland Emmerich on Telling the Story of Stonewall". ComingSoon.net. 23 September 2015. Retrieved 8 July 2018.
  29. ^ Buchanan, Kyle (31 July 2015). "Roland Emmerich Discusses His Gay-Rights Drama Stonewall and Debuts the Exclusive Poster". Vulture. Retrieved 23 September 2015.
  30. ^ Powell, Corey S. (24 June 2016). "Getting Under the Alien Skin of the New 'Independence Day'". Esquire. Archived from the original on 26 October 2016. Retrieved 18 October 2016.
  31. ^ Kit, Borys (19 May 2020). "Halle Berry to Star in Roland Emmerich's Sci-Fi Movie 'Moonfall' (Exclusive)". The Hollywood Reporter. Retrieved 19 May 2020.
  32. ^ "Josh Gad to Star in Roland Emmerich's Disaster Thriller 'Moonfall'". Hollywood Reporter. Retrieved 13 May 2020.
  33. ^ Wiseman, Andreas (16 January 2020). "Roland Emmerich's 'Moonfall' Gets China Distribution, Spring Start". Deadline. Retrieved 13 May 2020.
  34. ^ White, Peter (28 June 2023). "Roland Emmerich Unveils 'Space Nation', Franchise Encompassing TV Series, Online Game & Animated Shorts". Deadline Hollywood. Retrieved 29 June 2023.
  35. ^ a b c d e Epstein, Daniel Robert. "Roland Emmerich of The Day After Tomorrow (20th Century Fox) Interview". UGO. Archived from the original on 7 January 2009. Retrieved 16 March 2009.
  36. ^ a b c "BRILLIANT OR BAD TASTE? Director Roland Emmerich's Knightsbridge Townhouse". Cottage Industries. 5 September 2008. Archived from the original on 5 February 2017. Retrieved 16 March 2009.
  37. ^ a b c "LGBT hold fundraiser for Sen. Hillary Rodham Clinton at Roland Emmerich's Hollywood Home". 4seasons Photography. 22 July 2007. Archived from the original on 13 March 2008. Retrieved 21 February 2008.
  38. ^ a b c d e Kathryn Harris (25 October 2008). "There's no manifesto". The Guardian. London. Archived from the original on 17 October 2013. Retrieved 16 March 2009.
  39. ^ "Director of worst gay film ever to tie the knot this summer". Gay Star News. 20 March 2017. Archived from the original on 24 January 2022. Retrieved 17 January 2022.
  40. ^ a b The Day After Tomorrow Director/Producer DVD Commentary (2004)
  41. ^ "Hollywood director helps save gay and lesbian films". The Advocate. 25 January 2006. Archived from the original on 10 August 2014. Retrieved 28 March 2007.
  42. ^ "Hollywood director Emmerich says mum won't let him vote Green". The Local Germany. 12 September 2011. Retrieved 9 January 2023.
  43. ^ Couch, Aaron (25 June 2013). "Roland Emmerich: Independence Day 2 to Feature Gay Character". The Hollywood Reporter. Archived from the original on 15 March 2014. Retrieved 23 January 2014.
  44. ^ a b c Hruska, Rachelle J. (7 October 2008). "Roland Emmerich's Far From Conservative Style". Guest of a Guest. Archived from the original on 15 November 2009. Retrieved 16 March 2009.
  45. ^ "FUNDRACE 2008". The Huffington Post. Archived from the original on 2 October 2011. Retrieved 16 March 2009.
  46. ^ a b c Chau, Thomas (27 May 2004). "INTERVIEW: Director Roland Emmerich on "The Day After Tomorrow"". Cinema Confidential. Archived from the original on 6 June 2004. Retrieved 16 March 2009.
  47. ^ "An interview with Roland Emmerich". blackfilm.com. 1 May 2004. Archived from the original on 6 March 2008. Retrieved 21 February 2008.
  48. ^ Rebecca Ascher-Walsh (12 July 1996). "Space Under Fire". Entertainment Weekly. Archived from the original on 9 July 2008. Retrieved 8 July 2008.
  49. ^ "Roland Emmerich". The 1 Second Film. Archived from the original on 25 August 2009. Retrieved 21 February 2008.
  50. ^ "Infinite Possibilities". clipland.com. Archived from the original on 31 May 2008. Retrieved 10 August 2007.
  51. ^ Petski, Denise (7 April 2024). "'Those About To Die' Unveils Premiere Date & Teaser". Deadline Hollywood. Archived from the original on 8 April 2024. Retrieved 8 April 2024.
  52. ^ "The Day After Tomorrow (2004)". rottentomatoes.com. Archived from the original on 13 February 2009. Retrieved 16 March 2009.
  53. ^ "The Patriot (2000)". rottentomatoes.com. Archived from the original on 4 February 2009. Retrieved 16 March 2009.
  54. ^ "10,000 BC (2008)". rottentomatoes.com. Archived from the original on 9 March 2008. Retrieved 16 March 2009.
  55. ^ a b c d Gilchrist, Todd (May 2004). "The Day After Tomorrow: An Interview with Roland Emmerich". blackfilm.com. Archived from the original on 16 January 2009. Retrieved 16 March 2009.
  56. ^ Billington, Alex (3 March 2008). "Roland Emmerich (Almost) Explains What Happens in 2012". Firstshowing.net. Archived from the original on 5 March 2009. Retrieved 16 March 2009.
  57. ^ Keeley, Matt (6 August 2015). "UPDATED: Roland Emmerich's 'Stonewall' Has A White/Cis Hero, And That's A Problem". Unicorn Booty. Archived from the original on 12 May 2016. Retrieved 29 June 2016.
  58. ^ Villarreal, Daniel (28 September 2015). "5 Problems Besides Whitewashing in the Film "Stonewall"". Unicorn Booty. Archived from the original on 17 August 2016. Retrieved 29 June 2016.
  59. ^ Bernstein, Jonathan (18 June 2016). "Roland Emmerich: 'I like to say I was driven out of Germany by the critics'". The Guardian. Archived from the original on 22 June 2016. Retrieved 29 June 2016.
  60. ^ "Stonewall (2015)". Rotten Tomatoes. Retrieved 4 July 2019.
  61. ^ Gardner, Chris (21 March 2015). "Roland Emmerich on 'Independence Day 2's' Gay Couple: It's Not "a Big Deal"". The Hollywood Reporter. Archived from the original on 11 October 2016. Retrieved 29 June 2016.
  62. ^ Gayzmonic, Johnny (24 June 2016). "The Gay Couple In Independence Day: Resurgence Don't Get Their Due". Unicorn Booty. Archived from the original on 25 June 2016. Retrieved 29 June 2016.
  63. ^ "Roland Emmerich Filmography's Tomatometer". Rotten Tomatoes. Fandango. Archived from the original on 10 October 2016. Retrieved 15 November 2020.
  64. ^ "Roland Emmerich Profile's Metascore". Metacritic. CBS Interactive. Archived from the original on 29 August 2016. Retrieved 1 September 2016.
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